“I have lived on the Outer Cape since 1981, arriving in Provincetown for a residency fellowship at the Fine Arts Work Center. I made this part of the world my home, a spare but expansive place where sky meets water meets sand meets woods, what is left of them. In 1984, I started building sculptures with a truckload of bittersweet, gathered with permission from an overgrown woods behind the house of Wellfleet shell fisherman Joe Francis. By then drawing had become a regular studio activity, both feeding the sculptural ideas and as a studio activity unto itself. I am still scavenging fallen and found materials from the woods, beach, and local tree dumps, choosing fragments and shapes that I carve, assemble, deconstruct, and paint into figural "drawings" in space.

Even retired balsam Christmas trees are stripped of their branches, dried and repurposed into sculpture. I work from this chaotic pile of shapes in the studio, intuitively juxtaposing the fragments into sensuous hybrid relationships, often punctuated with color. Trunks and sections of saplings massed together assume the roles of heads or torsos; while branches, saplings, and roots posture as arms or legs. Laminated carved shapes in basswood and cedar add an unexpected juxtaposition to the wood found in its natural state. Even older sculptures are fair game – with a saw, grinder, mallet and gouge, I swiftly dissect, reconsider, and animate them into new forms.

For years I have had a penchant for strange fruits and vegetables, as well as for photographs and illustrations of nature's botanical oddities, from the microscopic to the macroscopic. These collected images recently found their way into a series of collages, which in turn, became precursors to the paintings. I layer drawn image upon image, nudging the paintings into surreal landscapes whose unlikely co-inhabitants and natural forms are the stuff of my sculpture.”